THe New look of tea

THe New look of tea



What important in the tea ceremony is that the overall arrangement of beauty. Although there is a tool which plays a leading role, simply appreciating one of them alone does not constitute a tea ceremony. In that sense, the tea ceremony requires an architectural sense of space. Furthermore, in a new space, a new arrangement of beauty for the tea ceremony is born.



What important in the tea ceremony is that the overall arrangement of beauty. Although there is a tool which plays a leading role, simply appreciating one of them alone does not constitute a tea ceremony. In that sense, the tea ceremony requires an architectural sense of space. Furthermore, in a new space, a new arrangement of beauty for the tea ceremony is born.

Venue:

Venue:

Bundle Gallery (Mogi Residence)

Bundle Gallery (Mogi Residence)

Alcove:

Alcove:

Kouhougenmyou, "Mukan"

Kouhougenmyou, "Mukan"

Flower Vase:

Flower Vase:

Kinuta Seiji

Kinuta Seiji

Tea Kettle:

Tea Kettle:

Nagoshi Johmi

Nagoshi Johmi

Water Container:

Water Container:

Jihei Murase, Yakusugi Tsurube

Jihei Murase, Yakusugi Tsurube

Kensui:

Kensui:

Namban

Namban

Tea Caddy:

Tea Caddy:

Kozeto

Kozeto

Tea Bowl:

Tea Bowl:

Gohon Chawan "Wakaba"

Gohon Chawan "Wakaba"

Works of art are born through the encounters between person and person. Looking back, there have been several moments that I now recognize as turning points, and my encounter with the late Shinzaburo Mogi was one of them.

At the time, Mr. Mogi was the president of Manns Wine, and during a break from a vehicle inspection, he casually dropped by my atelier in Setagaya. He took an interest in my first silver-painted work and bought it. While I now exhibit many silver-painted works, 20 years ago, I had just begun cautiously applying the silver left by my grandfather, lacking confidence and certainty. However, when Mr. Mogi praised it as interesting, it gave me a glimmer of hope in that direction. 

Mr. Mogi built the current Bundle Studio shortly after his marriage, and his 100-year-old Japanese-style house is known as the Mogi Residence. We had the opportunity to hold tea ceremonies in each of these spaces.

The Modern space and The Japanese-style house. We invite you to see the overall beauty created by each of these spaces.


Works of art are born through the encounters between person and person. Looking back, there have been several moments that I now recognize as turning points, and my encounter with the late Shinzaburo Mogi was one of them.

At the time, Mr. Mogi was the president of Manns Wine, and during a break from a vehicle inspection, he casually dropped by my atelier in Setagaya. He took an interest in my first silver-painted work and bought it. While I now exhibit many silver-painted works, 20 years ago, I had just begun cautiously applying the silver left by my grandfather, lacking confidence and certainty. However, when Mr. Mogi praised it as interesting, it gave me a glimmer of hope in that direction. 

Mr. Mogi built the current Bundle Studio shortly after his marriage, and his 100-year-old Japanese-style house is known as the Mogi Residence. We had the opportunity to hold tea ceremonies in each of these spaces.

The Modern space and The Japanese-style house. We invite you to see the overall beauty created by each of these spaces.


Venue:

Venue:

Kanroji Residence

Kanroji Residence

Tea Bowl:

Tea Bowl:

Syugo Takauchi, Kuro-Oribe

Syugo Takauchi, Kuro-Oribe

Water Container:

Water Container:

Jihei Murase, Zolkova

Jihei Murase, Zolkova

Tea Caddy:

Tea Caddy:

Jihei Murase, Negoro Natasogi

Jihei Murase, Negoro Natasogi

Tea Kettle:

Tea Kettle:

Toru Kaneko

Toru Kaneko

The residence of Yoshiko Kanroji stood within a dense, lush forest, seemingly impossible to find in the middle of the city. Renowned as a pioneer in spatial design, Kanroji's two-story home overlooking a central courtyard housed elegant and beautiful objects gathered from around the world. When Jihei Murase was to hold a tea ceremony within this space, Kanroji arranged Jihei's lacquerware pieces in each corner. The guests were deeply satisfied by the arrangement of beauty, assembled with Kanroji's unique sensibility that transcended national borders.

The residence of Yoshiko Kanroji stood within a dense, lush forest, seemingly impossible to find in the middle of the city. Renowned as a pioneer in spatial design, Kanroji's two-story home overlooking a central courtyard housed elegant and beautiful objects gathered from around the world. When Jihei Murase was to hold a tea ceremony within this space, Kanroji arranged Jihei's lacquerware pieces in each corner. The guests were deeply satisfied by the arrangement of beauty, assembled with Kanroji's unique sensibility that transcended national borders.

Venue:

Venue:

Mie Lexus Kuwana

Mie Lexus Kuwana

Water Container:

Water Container:

Jihei Murase, Akoda

Jihei Murase, Akoda

Tea Caddy:

Tea Caddy:

Jihei Murase, Natasogi

Jihei Murase, Natasogi

Tea Spoon:

Tea Spoon:

Kaida Kyokko, Mainichi Kakyo

Kaida Kyokko, Mainichi Kakyo

Tea Kettle:

Tea Kettle:

Toru Kaneko

Toru Kaneko

Hiroaki Nagai, President of Lexus Kuwana in Mie Prefecture, is one of the cultural people who discovered the appeal of tea through the works of Jihei Murase. A racer and powerful corporate warrior, Mr. Nagai diligently practices tea ceremony every morning despite his busy schedule. He invited Jihei to Lexus's showroom to host a tea gathering.

 When Jihei's standing tea table was placed in a corner of the showroom, where gleaming new cars were neatly lined up, the space transformed into a tea room. Nagai used tea utensils blending Jihei's works with those of contemporary artists to warmly entertain visiting local dignitaries. Jihei was deeply impressed by Nagai's approach to spreading culture in this way and expressed his gratitude.

 One reason tea ceremony gained popularity among warlords during the Sengoku period was its power to bridge the distance between people. In a sense, it may be inevitable that tea ceremony finds support among entrepreneurs racing to the top, navigating modern turbulence and meeting diverse customer needs.

Hiroaki Nagai, President of Lexus Kuwana in Mie Prefecture, is one of the cultural people who discovered the appeal of tea through the works of Jihei Murase. A racer and powerful corporate warrior, Mr. Nagai diligently practices tea ceremony every morning despite his busy schedule. He invited Jihei to Lexus's showroom to host a tea gathering.

 When Jihei's standing tea table was placed in a corner of the showroom, where gleaming new cars were neatly lined up, the space transformed into a tea room. Nagai used tea utensils blending Jihei's works with those of contemporary artists to warmly entertain visiting local dignitaries. Jihei was deeply impressed by Nagai's approach to spreading culture in this way and expressed his gratitude.

 One reason tea ceremony gained popularity among warlords during the Sengoku period was its power to bridge the distance between people. In a sense, it may be inevitable that tea ceremony finds support among entrepreneurs racing to the top, navigating modern turbulence and meeting diverse customer needs.

Venue:

Venue:

Embassy of Japan in UK

Embassy of Japan in UK

Water Container:

Water Container:

Jihei Murase, Zolkova

Jihei Murase, Zolkova

Tea Caddy:

Tea Caddy:

Jihei Murase, Silver Natasogi

Jihei Murase, Silver Natasogi

Tea Bowl:

Tea Bowl:

Machiko Ogawa

Machiko Ogawa

Tea Bowl:

Tea Bowl:

Hiro Ajiki

Hiro Ajiki

Tea spoon:

Tea spoon:

Jihei Murase, Kuwa

Jihei Murase, Kuwa

At the Embassy of Japan in UK, Jihei Murase gave a lecture titled “The New Look of Tea: A New Way to Enjoy Tea”. During the lecture, he spoke about woodworkers and his signature style of “Nata-sogi” (Hatchet-hewn). Amidst a display of his own works and those of contemporary artists, Jihei used his own works to serve tea. The bold and powerful form of the Nata-sogi tea caddy appeared to be a sturdy piece of wood split open with a heavy axe.

It captivated the audience as it quietly separated into a lid and a vessel, revealing the precision of the tool and the delicate beauty hidden within. This exhibition led to the piece being acquired by the Victoria and Albert Museum.

At the Embassy of Japan in UK, Jihei Murase gave a lecture titled “The New Look of Tea: A New Way to Enjoy Tea”. During the lecture, he spoke about woodworkers and his signature style of “Nata-sogi” (Hatchet-hewn). Amidst a display of his own works and those of contemporary artists, Jihei used his own works to serve tea. The bold and powerful form of the Nata-sogi tea caddy appeared to be a sturdy piece of wood split open with a heavy axe.

It captivated the audience as it quietly separated into a lid and a vessel, revealing the precision of the tool and the delicate beauty hidden within. This exhibition led to the piece being acquired by the Victoria and Albert Museum.